
I am man enough to admit, publicly, that I am a big Bee Gees fan. And when I say I’m a big fan, I mean that I have every Bee Gees studio album, every live album, most of the solo albums, and even a couple of unreleased bootlegs.
They got pigeonholed as a disco group in the late 1970’s, but they were much more than that. Their musical career spanned five decades and produced 22 studio albums. Besides their contributions to the Saturday Night Fever film soundtrack, only two of those albums are really disco albums: ‘Children of the World’ and ‘Spirits Having Flown.’ Even those have a healthy melange of other styles mixed in—pop, soft rock, funk, and a bit of country and R&B. Many also count ‘Main Course’ as a disco album, but I think that’s a bit of a stretch . . . three (arguably four) disco songs on a ten-track album doesn’t really make it a disco album.
The Bee Gees were a trio composed of brothers—twins Maurice and Robin Gibb along with elder brother Barry—born to English parents in the Isle of Man but raised in Australia. The group’s name derives from ‘The Brothers Gibb.’ Their first international success came in the late 1960’s, just around the time that The Beatles were disintegrating. While not wholly dissimilar from other ‘British invasion’ acts at the time, the Bee Gees’ music had a unique vocal harmony and an unusual, sometimes-haunting kind of melancholy behind them.







